But as an artist she is not obliged to be historically precise,” wrote Foster, alluding to the artist’s “Fuck the Bauhaus” series. Courtesy of the artist and Kunsthalle Bern.
The construction of the platform enveloped a large tree growing next to the Kunsthalle and incorporated it as part of the bar. Throughout her production, Genzken has continued to reflect upon the architectural dimension of the object in the world, starting from her hyperbolo and ellipsoid shapes during the late 1970s (not on display). Courtesy of the artist and Kunsthalle Bern. Restaurant Dampfzentrale operates the bar, and in addition to beverages it offers a select range of delicious snacks, salads and sandwiches. events@bern.com, Bahnhofplatz 10a ]49k^2m"); Website The exhibitions feature confrontations with aesthetic and social issues that are at the forefront of society. It protrudes out from beside the Kirchenfeld bridge above the Aare slope and offers an outstanding view of Bern’s Old Town opposite. Genzken’s approach to the use of the object, however, remains as sharp as ever; she never lets herself get fully carried away by an accumulation of mess or disorganization. The delicate relationship between sculpture and object permeates Isa Genzken’s solo exhibition at Kunsthalle Bern. Buchloh on commodity-objects and the aesthetics of the postmodern image, to Hal Foster and his notion of postmodernism relative to the contemporary. The Kunsthalle Bern is a Kunsthalle (art exposition hall) on the Helvetiaplatz in Bern, Switzerland. +41 31 328 12 12
In the text, Buchloh outlines one of the main critical points of coeval sculpture: that is, the interchangeability of objects and media, creating such a close alignment it becomes impossible to formulate new criteria. CH-3001 Bern In her large-scale installations, Park McArthur, a young artist from New York, focuses on the limits of being human – we limit ourselves and each other, define limits, defy limits. The fetishistic character present in these works was analyzed by Buchloh in his 1992 text “All Things Being Equal,” published in Artforum’s November 2005 issue. The 2008 exhibition program at the Kunsthalle Zurich opened with a retrospective of British artist Liam Gillick. Bar open from May to October, weather permitting, closed when raining. And sometimes these artists do that. [1], On the occasion of its 50th anniversary the Kunsthalle Bern became the first building ever to be wrapped entirely by Christo and Jeanne-Claude in July 1968.