It’s about revolution.
Now you too can sound like an army of roadwarriors battling for the future while performing left turn signals and following safe driving practices. © 2018 GLASSWERK. However, at least from the score’s point of view; this is pretty much exactly what you get…..music to escape, chase, flee, and fight to, and precious little else, because precious little else of a radically different nature actually happens in the movie. This 2K DI presumably formed the basis for the Ultra HD Blu-ray release being up-scaled by Warner Brothers to 4K. Motorized, electrical... spinning tires and kicking sand. However, it just never feels like we get to hear any other instruments, and the overall timbre changes very little from track to track. However, the CD case arrived cracked in at least two places. 1 Home Entertainment Tech Community & Resource. It’s arguably a more impressive achievement, at least conceptually; but a much tougher sell as an audio only experience methinks. Read honest and unbiased product reviews from our users. JavaScript is disabled. Aside from those two tracks, every other song is also fantastic. It is the only such theme in the whole score, and is repeated several times throughout like a ray of glorious sunshine breaking through foreboding storm clouds (pardon the overtly flowery language there). Joe, whose empire runs on slave labor, keeps a harem of women for breeding. Your recently viewed items and featured recommendations, Select the department you want to search in, Reviewed in the United States on November 18, 2015. Like Mr. Jones’s universe, Mr. Miller’s world has its rules. While we are swinging more towards the cons of the score; let’s mention the biggest elephant in the room; namely Nelly the War drums. My final criticism can be viewed in context with the aforementioned paucity of thematic variation present in the movie, but in one’s humble opinion; a different composer could have avoided, or at least diminished the problem. To be fair; the movie itself makes significant cinematic use of the old war drum…er thing, by actually having one of the chasing battle trucks be there purely to carry Taiko war drummers (and of course that memorable mutant metal guitarist on bungie straps at the front of it).
The script, which Mr. Miller wrote with Brendan McCarthy and Nico Lathouris, has been whittled almost clean of expository dialogue and touchy-feely bushwa. And Mr. Miller demonstrates that great action filmmaking is not only a matter of physics but of ethics as well. My reason for 5 stars is in no small part due to the fact that the score has been presented in its entirety. Whatever the next big trend in cinematic scoring turns out to be; it really can’t come soon enough. This is by far my favorite original score in recent memory. The Blu-ray of Mad Max: Fury Road includes a Dolby Atmos soundtrack that can be listened to in 5.1, 7.1 or various Atmos configurations. It could have been weaved it into different parts of the score as leitmotif perhaps too. Some of us — old enough to remember when nuclear Armageddon had not yet given way to climate change as the main source of existential anxiety — harbor a special fondness for the young Mel Gibson as Max Rockatansky, the grieving, aggrieved former cop who motored across the Australian desert in “Mad Max,” “The Road Warrior” and “Beyond Thunderdome.”. There's a problem loading this menu right now.
We only deal in objective subjectivity here you know. Well, there is a feeling when listening to the entire score (and at 71 minutes, and 17 tracks; it is certainly not lacking in run time), that Mr. Holkenborg could have been much more imaginative with his exploitation of the instruments available to him, even those just within the orchestra. The Ecstasy of Film Scoring Awaits Inside! Reviewed in the United States on July 9, 2015. It really is a wonderful, stirring theme amid all the roar and pounding, and one pines for a more sophisticated delivery of it. “Fury Road,” directed, like the others, by George Miller, is sort of a sequel, and also what we’re now supposed to call a reboot. This score deserves an Oscar. One. It’s Brass section, then String section, then back to war drums. A film like this will certainly need the octane boost of a powerful action score to keep it moving and Junkie XL is a great choice. The whine and chug of souped-up engines, the whoosh of flames and the squeal of twisting metal — all the tried-and-true idioms of action filmmaking to make your heart beat faster. Max, a Bogartian loner impelled by conscience to stick his (admirably thick) neck out for somebody, is really more sidekick than hero.
Read about our review ethos and the meaning of our review badges. Terrific support musically for an enjoyable adventure movie. That’s probably why this score gets the sales and positive reviews it does.
What are we talking about? It’s all great fun, and quite rousing as well — a large-scale genre movie that is at once unpretentious and unafraid to bring home a message.